Final Girls by Riley Sager (★★★★☆½)
A decade ago, Quincy Carpenter became a final girl, the sole survivor of a horror movie-esque massacre. Struggling to move past the title, Quincy is dragged back into the spotlight when one of her fellow final girls is found dead. Deemed “the first great thriller of 2017” by Stephen King, Riley Sager’s Final Girls is a suspenseful thrill ride that will have you guessing* until the very end.
love, and you by Gretchen Gomez (★★★☆☆½)
Much like Milk and Honey, I didn’t find love, and you nearly as fulfilling as The Princess Saves Herself in This One — both of which were recommended based on my fondness for Amanda Lovelace’s poetry. However, much like with the work of Rupi Kaur, Gomez has some really great and touching pieces toward the end of her collection.
Lord Henry Montague (AKA Monty) is a fashionable rake about to embark on a Grand Tour of Europe alongside his best friend and the secret love of his life, Percy. It’s the 18th century road trip novel you never knew you wanted! While I greatly enjoyed Monty’s hijinks and his slow-burn romance with Percy, I was a little thrown by the strange, almost supernatural turn the story took.
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The Grownup by Gillian Flynn (★★★★☆½)
I can understand why people feel lukewarm toward The Grownup. Aside from the ridiculous price point, we were promised a ghost story and we weren’t given a ghost story — not exactly. Instead, what we got was a well-written psychological story with one hell of a twist. And I for one can’t really complain about that.
Penpal by Dathan Auerbach (★★★☆☆)
This creepypasta turned novel could have been great. Unfortunately, a non-linear narrative, way too many descriptive elements and all the filler made what could have been a superbly creepy horror story way less creepy. While I ultimately liked it and some of its chilling turns, Penpal has plenty of falts. Still curious? Read the shorter online version — which makes way more sense structurally — instead.
In this modern day exorcism story, a teenage girl and her family become the subjects of a reality television show called The Possession. Named for a Bad Religion song, and partially inspired by The Yellow Wallpaper — with a dash of We Have Always Lived in the Castle thrown in — A Head Full of Ghosts will leave you with more questions than answers.Read More »
Filming for We Have Always Lived in the Castle — Shirley Jackson’s creepily atmospheric 1962 novel about how people haunt their own homes — began this week.
The big screen adaptation, which is being produced by Michael Douglas, stars Taissa Farmiga, Alexandra Daddario, Willem Dafoe and Sebastian Stan as the Blackwoods, social pariahs rumored to have poisoned their relatives with arsenic hidden in the familial sugar bowl.
Despite the fact that the cast is currently filming in Ireland, no release date has yet been set.
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