We’re almost halfway through January 2019, and in true Cassie-la fashion I’m just getting around to posting my 2018 wrap up … because this is what happens when you work full time and freelance on the side.
2018 was another dumpster fire of a year — not to be confused with all those other dumpster fires (cough2016and2017cough), but that didn’t dissuade me from reaching my goal of 100 books!
Head below the jump to check out some statistics I pulled from my 2018 book spreadsheet, and head over to Goodreads to see a visual representation of all the books I read last year.
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The suspenseful follow-up to Final Girls tells the story of Emma, another survivor of trauma (Sager’s forte). 15 years after the disappearance of her Camp Nightingale cabin mates, Emma returns to the hoity-toity summer camp to learn what happened to Vivian, Natalie, and Allison all those years ago. Perfect for fans of psychological thrillers, Sager’s latest novel will keep you guessing (and screaming) until the very last page. Adapt this for the big screen, please and thanks.
This debut collection from Claire C. Holland combines two of my favorite things: feminist poetry and fictional final girls. Written in response to the 2016 election and the #MeToo movement (among other unfathomable goings on in the world), Holland’s poems explore the perspective of 40 female horror film survivors throughout the decades. Deeply unapologetic, this debut collection is a fitting tribute to final girls and the society that shapes them.
You by Caroline Kepnes (★★★★★)
Kepnes’ debut thriller is an incredibly disturbing novel about obsession in the social media age, including the unhealthy fixation we have with curating our own online personas. Full disclosure, I should not have enjoyed this dark and deranged novel told in the second person as much as I did. And I especially should not have been rooting for the charming, literary loving stalker/kidnapper/murderer the entire time. But here we are. Insert Sorry Not Sorry joke here.
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Part memoir, part self-help(ish) book, part something else entirely, Matt Haig’s Reasons to Stay Alive seeks to remove the stigma society places on depression, by revealing the author’s own struggles with the disease, as well as peppering the book with facts and statistics on depression and suicide. Super personal and very raw, I see this as a sort of companion to Notes on a Nervous Planet, which is structured in a very similar manner. Warning: this one is not nearly as light-hearted, but equally helpful.
Baby Teeth by Zoje Stage (★★★☆☆½)
Baby Teeth stars a pint-sized sociopath with designs to kill her mother, the mother herself, and the father who is completely oblivious to his wife and daughter’s true selves. You know, totally normal family dynamic type stuff. The story is made up of alternating chapters that switch between the crazed daughter who is too smart/demonic to be believable, and her mother, who is convinced she will never be a good enough wife and mother. While a super interesting premise — mostly because the kid is not alright — the plot definitely drags at times.
Rust & Stardust is based on the 1948 kidnapping of 11-year-old Florence “Sally” Horner, a crime that would go on to inspire the Vladimir Nabokov classic Lolita. Despite being pulled straight from history, Greenwood’s novel is less a true crime story and more historical fiction, exploring the horrors that Sally was most likely forced to endure during her 21-month ordeal, and the ramifications it had on the people in her life. This heartbreaking and beautifully written novel deserves every single star (and then some).
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The Elizas by Sara Shepard (★★★☆☆½)
Sara Shepard’s latest adult novel is a thriller that features some of my favorite writing mechanisms, including an unreliable narrator and a story within a story. Unfortunately, like the majority of Shepard’s young adult novels, there is a heavy reliance on doubles (no more doppelgangers or twins ever again, please!), and the novel doesn’t get really interesting until about a third of the way through … before completely losing the plot again shortly thereafter.
My Lady Jane by Cynthia Hand, Brodi Ashton and Jodi Meadows (★★★★☆½)
Historical fantasy meets alternate history in this much happier and way more fantastical re-imagining of the life of Lady Jane Grey (AKA the Nine-Day Queen). Told by the trio now known as the Lady Janies, My Lady Jane follows book-loving Jane Grey, who lives in a world where some people can turn into animals. Unbeknownst to Jane, she’s going to be named next in line to the throne by her dying cousin, and she’s about to be married off to a man who is sometimes a horse. Sure it’s super wacky, but it’s also really funny and charming.
Frostblood by Elly Blake (★★★☆☆½)
I had a lot of trouble with the first 75% of Frostblood. Despite being blessedly fast-paced (the only thing that kept me going), the beginning of Blake’s book has a predictable plot that I’ve already read a million times over. Spoilers: the magical girl who can control fire is going to be the chosen one who falls in love with the attractive yet damaged man who can control ice. Thankfully, all that turned around when I got to meet the real villain of the story. Thanks for saving this entire series evil frost king!
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